My artistic practice has changed the fields from Arts & Crafts via Design into Fine Art. Through my lifelong work of plastic arts, which has attempted to synthesize the Western and Eastern understandings of Consciousness and to conceptualize them into my art spirit, I have finally arrived and focused on the current fine art domain. If we see our inner world of nature through art as a reality, we could seek liberation and make our lives good. My current work investigates the relationship between the Plastic Arts and Human Nature. My artistic practice is engaged with and lies in Integral Art, which transcends and includes all limited forms, interpretations, or perspectives.
Over the past years, I have explored the ultimate object under my inquiry of Art and Human life. Through the groping days in the dark for years, I have been building my art theory as an endeavour for pathfinding. Finally, I have coined my philosophy of art as Integral Metamodernism: CALIGOMOS ART (C’ ART). Under this philosophy, I have created a series of clay and metal works that have a scope between non-Representationism and Representationism. I transform my concepts into sculptural interventions that reflect an interest in three basic types of materials: clay, metal, and wood. I am exploring the novel path for integrated approaches to art and the pattern of the universe.
My challenging works are ‘How could we see the invisible world of human nature through artistic concept and practice?’ and ‘How could art help to seek the ultimate path for human life?’ Some of my projects show a kind of absurdity in our cognitive capacities. They can be a metaphor as an integral approach.